tag:blogger.com,1999:blog-25759936980539866632024-02-07T19:53:52.985+01:00fpdv2014 exchange of views and artistic collaborationXDKhttp://www.blogger.com/profile/04865664434166349020noreply@blogger.comBlogger906125tag:blogger.com,1999:blog-2575993698053986663.post-50560971277606972312014-06-30T14:43:00.000+02:002014-06-30T14:48:13.955+02:00<div style="text-align: left;">
<span style="font-family: 'Trebuchet MS', sans-serif;">FPDV end of the adventure. </span><span style="font-family: 'Trebuchet MS', sans-serif;">On this blog, you can find archives of 8 years.</span><br />
<span style="font-family: 'Trebuchet MS', sans-serif;">From 2006 to 2014, FPDV created a digital magazine, a journal paper, a workshop in Vietnam. </span><br />
<span style="font-family: 'Trebuchet MS', sans-serif;">During these years, the goal was simple: discover and share. </span><br />
<span style="font-family: 'Trebuchet MS', sans-serif;">Now this place with other adventures....</span></div>
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<i style="font-family: 'Trebuchet MS', sans-serif;">SPECIAL THANKS to Károly Sándor Pallai / Nicolas Savignat / Celeste Martinez / FP / Henri Barre / PM / MMDK</i><span style="font-family: Trebuchet MS, sans-serif;"></span><br />
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</span>XDKhttp://www.blogger.com/profile/04865664434166349020noreply@blogger.com1tag:blogger.com,1999:blog-2575993698053986663.post-71890916784978268342014-06-21T00:00:00.000+02:002014-06-21T00:00:01.068+02:00FPDV / Collaboration > illustration by András Ferenc Pintér & text by Károly Sándor Pallai / Hongrie<div class="p1">
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<i><span style="background-color: #f3f3f3; font-family: Trebuchet MS, sans-serif;">texte en tahitien et traduction française par Károly Sándor Pallai </span></i></div>
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<i><span style="background-color: #f3f3f3; font-family: Trebuchet MS, sans-serif;">illustration > András Ferenc Pintér (PAF) & </span></i><i><span style="background-color: #f3f3f3; font-family: Trebuchet MS, sans-serif;">photo > Mihály Borsos (misi)</span></i></div>
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<span style="font-family: Trebuchet MS, sans-serif;">TE MOANA VARE’AU </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">’Ua fa’a ’ē’ē hia vau ’e ’a muri noa atu,<span class="Apple-tab-span"> </span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">’Ua mātau vau i te āteara’a.<span class="Apple-tab-span"> </span><span class="Apple-tab-span"> </span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Rave rau mana’o navenave,<span class="Apple-tab-span"> </span><span class="Apple-tab-span"> </span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">O vau te tāvini ’e ’a muri noa atu. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Tō’u māfatu, ’ua honihonihia, ’ua vāvahihia e ’ua hahae roa,</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Te mau mea ato’a e vaira, ’ua pāhitirere. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Te mau parau manamana ’o te ra’i pōuri</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">’E fa’atomo nei ’i to’u ’ā’au paruparu. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">No tae noa mai nei au ’i roto ’i to’u orara'a</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">’E te fa'aineine nei au nō te reva ’e atu.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Te pū, te ’oa’oa, te mau pītate ’o te vai ’āpira’a,</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Te mau hanihani tu’utu’u ’ore ’o te ao marama. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">’E mau ’anotau pūtaratara tō muri mai,</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Teie rā, ’e fa’ifa’i tō’u na rima </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Te hōpi’i ’o te vārua, te anuanua,</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Te vaha ’atete, ’e te turituri ’o te ta’ata.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">L’OCÉAN VIOLET / </span><i><span style="font-family: Trebuchet MS, sans-serif;">à Rai Chaze</span></i></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><i></i><br /></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Je suis éternellement étranger,</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Je connais les distances. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Un éventail de sentiments de volupté,</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Je suis le serviteur éternel. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Mon cœur est rongé, brisé, déchiré,</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Toute existence tressaille. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Les paroles magiques du ciel sombre<span class="Apple-tab-span"> </span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Remplissent mon cœur fragile. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Je suis arrivé depuis un moment dans ma vie</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Mais déjà, je me prépare à partir.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Trompette, joie, jasmins de la jeunesse,</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Caresses incessantes du monde ensoleillé. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Des époques épineuses suivront,</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Pourtant, mes mains cueilleront</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">L’épilépsie de l’esprit, l’arc-en-ciel,</span><br />
<span style="font-family: 'Trebuchet MS', sans-serif;">La voix criarde et assourdissante des hommes. </span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-38224323061204310732014-06-17T10:54:00.000+02:002014-06-17T10:54:00.879+02:00FPDV / ARTIST PRESENTATION / Karla Solano / Proceso de reflexiones sobre la vida y la muerte / by xdk / PART 2/2<div class="separator" style="clear: both; text-align: center;">
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-72964448250924163262014-06-14T10:44:00.001+02:002014-06-14T10:58:36.650+02:00FPDV / Collaboration > illustration by Victoria Dutu & text by Károly Sándor Pallai / Hongrie & Roumanie<div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: #f3f3f3; font-family: Trebuchet MS, sans-serif;"><i>poem in Turkish and English translation by Károly Sándor Pallai </i></span></div>
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<span style="background-color: #f3f3f3; font-family: Trebuchet MS, sans-serif;"><i>illustration > Victoria Dutu</i></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">TAKSİM MEYDANIMIZ / <i>Anikó’ya</i></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><i></i><br /></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Hepimizin yüreklerinde bir tak<span class="s1">ɪ</span>m<span class="Apple-tab-span"> </span><span class="Apple-tab-span"> </span> </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Taksim Meydanlar<span class="s1">ɪ</span>m<span class="s1">ɪ</span>zı batt<span class="s1">ɪ</span>lar. <span class="Apple-tab-span"> </span><span class="Apple-tab-span"> </span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Dövme gibi ciltimlerimizin üstünde: <span class="Apple-tab-span"> </span><span class="Apple-tab-span"> </span> </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">geçmişin dehşeti. <span class="Apple-tab-span"> </span><span class="Apple-tab-span"> </span><span class="Apple-tab-span"> </span><span class="Apple-tab-span"> </span> </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Zira şimdiki as<span class="s1">ɪ</span>rda avarelik boş</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">anlamas<span class="s1">ɪ</span> zor, bederler her yerde buhran geçiriyorlar. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Şiir alan<span class="s1">ɪ</span> başkalaşmak lâz<span class="s1">ɪ</span>m, </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">iliklerine kadar bir ç<span class="s1">ɪ</span>ğl<span class="s1">ɪ</span>ğı </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">hizmet etmesi için.<span class="Apple-tab-span"> </span><span class="Apple-tab-span"> </span><span class="Apple-tab-span"> </span> </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">İsteri, felsefeli sinir ağrısı filozofik.<span class="Apple-tab-span"> </span><span class="Apple-tab-span"> </span> </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Histeri ümit yine geriledi, nefesi donmuş.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Bu zayıflamıs ve sarhoş dünyaya bar<span class="s1">ɪ</span>şı getiren, kahraman kim olacak?<span class="Apple-tab-span"> </span><span class="Apple-tab-span"> </span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Cahillik, körlük ve karışıklık yönetiyorlar bizi.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">UR TAKSIM SQUARE / <i>for Anikó</i></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><i></i><br /></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">There are numerous Taksim Squares</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">etched in everyone’s heart.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Like a tattoo on our skin:</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">the dismay of the past.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Inaction is obsolete as the present is</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">difficult to understand, values are in</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">crisis everywhere. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Poetry has to be transformed</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">in order to serve as a howl </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">cutting to the bones. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">A hysteria, a philosophical neuralgia.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Even the hope recoiled, the breath froze. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Who will be the conciliatory hero of this emaciated, drunken world ?</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Idiocy, blindness and disarray command. </span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-44844202304685789512014-05-21T21:06:00.000+02:002014-05-21T21:06:57.098+02:00FPDV / ARTIST PRESENTATION / Karla Solano / Proceso de reflexiones sobre la vida y la muerte / by xdk / PART 1/2<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Trebuchet MS, sans-serif;">Ritual de Muerte</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Cuando tenía seis años alguien llamó a la puerta para avisar que mi mejor amiga de la misma edad había muerto…ese fue mi primer encuentro con la muerte.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Dos años después murió un ave que era mi mascota más querida para la cual le hice un entierro junto a mis amigos en el jardín de la casa. Ocho días más tarde desenterré por curiosidad al pobre pájaro -el cual estaba lleno de gusanos- para tratar de descubrir que sucedía después de la muerte. Durante este evento realicé mis primeras fotografías con una cámara que había tomado “prestada” de mi hermana.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Cuando tenía trece falleció mi padre y sin duda ese fue el detonante para que años después la muerte fuera un tema recurrente en mi obra artística. Lo físico y lo espiritual, lo real y lo aparente; los cambios internos y externos y el paso del tiempo se convirtieron en mi mayor cuestionamiento como una metáfora de vida en imágenes.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Hace dos meses experimenté el ritual de la muerte vistiendo y maquillando a mi abuela fallecida, una experiencia que compartí con mi madre y mi tía. Experimenté allí el amor más puro, la feminidad, lo sublime y espiritual. Este momento me hizo reflexionar sobre lo que significaba presentar a mi abuelita ante la sociedad…que se viera linda y aún con dignidad en el ultimo momento de su vida. Su cuerpo en la morgue, frío, desnudo, con costuras, su piel amarilla y su cabello despeinado…toda la vanidad que pudo tener en vida se terminó en un segundo.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">En la actualidad en que solo nos preocupamos por la apariencia física, el estatus económico e intelectual, la lucha constante por no envejecer y el qué dirán! Me pregunto para qué? Al final solo estarán a nuestro lado las personas que por la razón que sea; amor, interés u obligación nos vistan ante esta sociedad morbosa.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Prefiero guardar la esperanza de que nos acompañen los seres que quisimos y nos quisieron sin esperar nada, más que la fe en un reencuentro.</span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-77439635372037412172014-05-12T21:56:00.000+02:002014-05-12T21:56:32.985+02:00FPDV / Collaboration > illustration by Eniko Kramcsak & text by Károly Sándor Pallai / Hongrie<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="background-color: #f3f3f3; font-family: Trebuchet MS, sans-serif;"><i>text > Károly Sándor Pallai / Tahitian language text written / translated into French</i></span></div>
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<span style="background-color: #f3f3f3; font-family: Trebuchet MS, sans-serif;"><i>illustration > Eniko Kramcsak / Lights of the boulevard at night</i></span></div>
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<span style="background-color: #f3f3f3; font-family: Trebuchet MS, sans-serif;"><i><br /></i></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Te 'ārue i to'u 'āi'a</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Te hi'o i tō'u 'āia</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">E fenua hanahana mau a</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">O vau nei āna muhu iti,</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">O vau nei tōna reo iti.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">E tahua 'arora'a ma te tau e te tau,</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">E ahi mo'a vera a tau e a hiti </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">E feti'a pao ho'i na te ra'i. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Inaha e tau ahoaho,</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Ma te tāuiui. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">E 'imi 'āmui ana'e i te tumu,</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">E fa’aora i te hīro'a i mo'e na.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Mai te 'amora'a mata ra te orara'a</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">E pe'e 'āmui ana'e i te e'a o te mau tupuna. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">E māmū ataata.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Na te ra'i mārevareva o tō'u āi'a,</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">E tō'u Fenua e,</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Teie au to tama.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Louange de mon pays</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Je regarde ma patrie</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">C’est le pays de la majesté.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">J’étais son souffle, </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Je serai sa voix.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">C’est un champ de bataille,</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Un feu sacré qui brûle éternellement. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Une étoile filante au ciel. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">C’est une époque de difficultés,</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">La période des changements. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">À nous de chercher nos fondements,</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">À nous d’embrasser l’identité perdue. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Notre vie est un clin d’œil,</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">À nous de suivre la voie des ancêtres. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Silence pénible. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Ciel étendu de mon pays,</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Ô, ma Patrie,</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Je suis ton enfant.</span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-26571367843899070392014-05-07T00:00:00.000+02:002014-05-07T00:00:01.238+02:00FPDV / MUSEUM PRESENTATION / MUSEE MINIATURE & CINEMA / LYON / BY XDK (4)<div dir="ltr" style="text-align: left;" trbidi="on">
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<i><span style="font-family: 'Trebuchet MS', sans-serif;">Visite du musée en 4 parties / 4° > Maquettes/Miniatures de Dan Ohlmann</span></i></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">Fondé par le miniaturiste Dan Ohlmann, leMusée Miniature et Cinéma présente en exclusivité à Lyon deux collections rares et insolites :</span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">D'une part celle des scènes en miniature d'artistes miniaturistes internationaux soit 100 reproductions hyperréalistes de nos espaces de vie quotidienne.</span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">D'autre part une exposition unique en Europe permettant de tout comprendre sur les techniques des effets spéciaux du cinéma. Ce parcours pédagogique illustré par plus de 300 objets originaux de tournages révèle la magie des plus grands studios de cinéma actuels. </span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">Un lieu vivant :</span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">Les artistes travaillent quotidiennement dans leur atelier de création de miniatures et de restauration d'objets authentiques de cinéma.</span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><i>Visit the museum into 4 / 4° > Model/Miniature Dan Ohlmann</i></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">Created by miniaturist artist Dan Ohlmann, the Musée Cinéma et Miniature presents two rare and exclusive collections :</span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">first, over 100 miniature scenes exquisitely crafted by world-renowned miniaturists and reproducing daily life settings with hyperrealism;</span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">second, a film exhibition, one-of-its-kind in Europe, that focuses on special effects techniques. Featuring over 300 original film props and artefacts, this educational display uncovers the magic behind the greatest film studios. </span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">A living place :</span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">Staff artists are daily at work to create new scale miniatures and restore genuine film props in their workshop.</span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><i style="background-color: #f3f3f3;">link website > <a href="http://www.museeminiatureetcinema.fr/accueil.html" style="color: black; text-decoration: none;">http://www.museeminiatureetcinema.fr/accueil.html</a></i></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><i style="background-color: #f3f3f3;">credit photo > xdk</i></span><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-64365884016333093482014-05-03T00:00:00.000+02:002014-05-03T14:30:17.929+02:00FPDV / ARTIST PRESENTATION / José Lerma : défiguration enjouée, monuments organiques, dérive des modèles… / by Nicolas Savignat<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Trebuchet MS, sans-serif;">“ Qui voit la figure humaine correctement? Le photographe, le miroir ou le peintre ?” Pablo Picasso (1881-1973)</span><br />
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<tr><td class="tr-caption" style="text-align: left;"><span style="font-family: Trebuchet MS, sans-serif; font-size: small; text-align: justify;"><i>José lerma. Roberto Paradise. Installation avec Hector Madera. Sacs en papier</i></span></td></tr>
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<span style="font-family: Trebuchet MS, sans-serif;">José Lerma (1971-) est exposé actuellement au sein d’une exposition collective, à la Saatchi Gallery à Londres. Celle-ci s’intéresse aux cultures des continents étrangers de L’Afrique et de l’Amérique latine. Cet artiste d’origine portoricaine, a un univers singulier, facilement identifiable mais à la liberté d’esprit - inclassable. Ces pièces au statut équivoque, à l’ambigüité polymorphe, sont pour notre curiosité insatiable, joyeusement caustiques, aveuglément provocantes !</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig_ry5Ax915dkk08EcVqzFyJaSOtbJ6txzvOg62lQ4nLjgm0iAxUf7126LvVT5muizRaMxO-2kxRlszmeEYlB2DPJFm9o6phm2YEwR_32bHuJmN9u2jg3fAZRh39TSm7LMcL4AN2tUn2s/s1600/xxyjose%CC%81lerma%232.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><span style="font-family: Trebuchet MS, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig_ry5Ax915dkk08EcVqzFyJaSOtbJ6txzvOg62lQ4nLjgm0iAxUf7126LvVT5muizRaMxO-2kxRlszmeEYlB2DPJFm9o6phm2YEwR_32bHuJmN9u2jg3fAZRh39TSm7LMcL4AN2tUn2s/s1600/xxyjose%CC%81lerma%232.jpg" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: left;"><span style="font-size: small; text-align: justify;"><i><span style="font-family: Trebuchet MS, sans-serif;">José Lerma. Berlin. 2011. Technique mixte.</span></i></span></td></tr>
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<span style="font-family: Trebuchet MS, sans-serif;">De plus, J.L s’exprime avec un éventail élargi des médiums, dans une approche créative renouvelée, aux propositions plastiques évolutives : matières/ formes/ signes/ énoncés… Sa recherche artistique, se situe à la fois dans une tradition moderniste et dans une problématique post-moderne : la filiation figurative, le registre empirique, la tonalité Néo-Dada… Il développe ainsi sa singularité, au-delà d’une narration attendue, d’une dichotomie visible – d’une entité stricto sensu élective. </span></div>
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<tr><td class="tr-caption" style="text-align: left;"><span style="font-size: small; text-align: justify;"><i><span style="font-family: Trebuchet MS, sans-serif;">José Lerma, King Charles II of England. 2011. Nylon, acrylique sur toile</span></i></span></td></tr>
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<span style="font-family: Trebuchet MS, sans-serif;">Par exemple dans l’oeuvre Madre Perla V-11, on peut observer sur le plan de la toile, une “imagerie” : indicielle, cryptée, déroutante... Elle a été réalisée dans un état de précipitation, un effet d’accumulation où l’arbitraire, l’hystérique, le fragmentaire jouent un rôle dynamique prépondérant, tacite. </span></div>
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<span style="font-size: small;"><span style="font-family: Trebuchet MS, sans-serif;"><i>José Lerma. Madre Perla V -11 (détail). 2011. Acrylique sur toile. 243,8 x </i></span><i style="font-family: 'Trebuchet MS', sans-serif;">457,2cm</i></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Egalement, ses modèles iconiques, ses figures emparées, détournées, échappent à toutes justifications rationnelles ou considérations intelligibles dans leurs démultiplications, leurs chevauchements, leurs altérations réciproques. Ainsi, l’énergie du procédé, les niveaux d’intensité du trait repoussent la composition dans une circulation muette - un cheminement ramifié, amalgamé, délité…</span></div>
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<tr><td class="tr-caption" style="text-align: left;"><span style="font-family: 'Trebuchet MS', sans-serif; font-size: small; text-align: justify;">José Lerma. Inspirations This Week. 2010. acrylique sur toile</span></td></tr>
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<span style="font-family: Trebuchet MS, sans-serif;">Les personnages représentés sont issus de la culture populaire. Il s’agit de célébrités ou de “pontes” historiques déformés, transformés ; selon son bon plaisir, ses penchants en bouffons cartoonesques, en masques grotesques - en un folklore baroque ! Son gout du tendancieux, ses associations satyriques, ses décalages absurdes participent à décrédibiliser une tutelle des effigies, les instruments d’une norme ; l’officialisation d’un déterminisme. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Avec un humour fin à la fois résigné, son art de la rupture, de la défaillance souligne la méprise d’une notoriété effective, d’une collectivité historique ou d’une objectivité rectiligne. Il y a donc dans sa démarche, un aspect viscéral important, de l’ordre du traumatique et du cathartique. Ses gestes sans condition, ses processus en mutation sont la preuve d’une recherche inépuisable de la représentation en art ; des clés, des détours, des incertitude sans garantie durable, ni retrait possible.</span></div>
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<tr><td class="tr-caption" style="text-align: left;"><span style="font-size: small; text-align: justify;"><span style="font-family: Trebuchet MS, sans-serif;"><i>L’artiste au travail</i></span></span></td></tr>
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<span style="background-color: #f3f3f3; font-family: Trebuchet MS, sans-serif;">Exposition = Pangae : New art from Africa and latina America du 2 avril au 31 aout 2014 à la Saatchi Gallery, Duke Of York’s, HQ, King’s Road – London – SW34RY</span></div>
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<i><span style="background-color: #f3f3f3; font-family: Trebuchet MS, sans-serif;">link > <a href="http://www.saatchigallery.com/">www.saatchigallery.com</a></span></i></div>
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<i><span style="background-color: #f3f3f3; font-family: Trebuchet MS, sans-serif;">Site officiel > <a href="http://www.joselerma.com/">www.joselerma.com</a></span></i><br />
<span style="font-family: Trebuchet MS, sans-serif;"><i style="background-color: #f3f3f3;">text > Nicolas Savignat</i></span></div>
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XDKhttp://www.blogger.com/profile/04865664434166349020noreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-59595874999350910522014-04-29T00:00:00.000+02:002014-04-29T00:00:00.092+02:00FPDV / MUSEUM PRESENTATION / MUSEE MINIATURE & CINEMA / LYON / BY XDK (3)<div class="p1" style="background-color: white; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18.479999542236328px; text-align: justify;">
<i><span style="font-family: 'Trebuchet MS', sans-serif;">Visite du musée en 4 parties / 3° > Maquettes/Miniatures de Dan Ohlmann</span></i></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">Fondé par le miniaturiste Dan Ohlmann, leMusée Miniature et Cinéma présente en exclusivité à Lyon deux collections rares et insolites :</span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">D'une part celle des scènes en miniature d'artistes miniaturistes internationaux soit 100 reproductions hyperréalistes de nos espaces de vie quotidienne.</span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">D'autre part une exposition unique en Europe permettant de tout comprendre sur les techniques des effets spéciaux du cinéma. Ce parcours pédagogique illustré par plus de 300 objets originaux de tournages révèle la magie des plus grands studios de cinéma actuels. </span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">Un lieu vivant :</span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">Les artistes travaillent quotidiennement dans leur atelier de création de miniatures et de restauration d'objets authentiques de cinéma.</span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><i>Visit the museum into 4 / 3° > Model/Miniature Dan Ohlmann</i></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">Created by miniaturist artist Dan Ohlmann, the Musée Cinéma et Miniature presents two rare and exclusive collections :</span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">first, over 100 miniature scenes exquisitely crafted by world-renowned miniaturists and reproducing daily life settings with hyperrealism;</span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">second, a film exhibition, one-of-its-kind in Europe, that focuses on special effects techniques. Featuring over 300 original film props and artefacts, this educational display uncovers the magic behind the greatest film studios. </span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">A living place :</span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;">Staff artists are daily at work to create new scale miniatures and restore genuine film props in their workshop.</span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><i style="background-color: #f3f3f3;">link website > <a href="http://www.museeminiatureetcinema.fr/accueil.html" style="color: black; text-decoration: none;">http://www.museeminiatureetcinema.fr/accueil.html</a></i></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif;"><i style="background-color: #f3f3f3;">credit photo > xdk</i></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-60797109266525643562014-04-26T00:00:00.000+02:002014-04-26T00:00:06.421+02:00FPDV / ARTIST PRESENTATION / FILIP DUJARDIN / BY XDK<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;">Photographer Filip Dujardin designs architectural wonders in the digital realm. The Belgian artist began as a professional architectural photographer before turning to design in 2007, creating virtual buildings using Google SketchUp—a 3D modeling tool—and Photoshop. At first glance, Dujardin’s photographs of buildings seem almost ordinary, though highly modern, only revealing their structural implausibility upon close examination. He ignores the laws of physics, defying gravity and material, to create exquisite architectural compositions.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Dujardin has exhibited in group and solo exhibitions since 2008. His work is in the permanent collection of the Metropolitan Museum of Art and is currently on view in the Met's exhibition Faking It: Manipulated Photography Before Photoshop.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><i style="background-color: #f3f3f3;">website link > <a href="http://www.filipdujardin.be/">http://www.filipdujardin.be/</a></i></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><i style="background-color: #f3f3f3;">text > Artspace & credit photo > Filip Dujardin</i></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-47891145665065100692014-04-22T00:00:00.000+02:002014-04-22T00:00:05.668+02:00FPDV / MUSEUM PRESENTATION / MUSEE MINIATURE & CINEMA / LYON / BY XDK (2)<div class="p1" style="text-align: justify;">
<i><span style="font-family: Trebuchet MS, sans-serif;">Visite du musée en 4 parties / 2° > </span><span style="font-family: 'Trebuchet MS', sans-serif;">Décors / Fantastique & Science Fiction</span></i></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;"><i>Toutes ces reproductions ont servi pour des films américains. (PLANETE TERREUR, TERMINATOR, 2001, L'ODYSEE DE L'ESPACE, ALIEN, etc...)</i></span></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;">Fondé par le miniaturiste Dan Ohlmann, leMusée Miniature et Cinéma présente en exclusivité à Lyon deux collections rares et insolites :</span></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;">D'une part celle des scènes en miniature d'artistes miniaturistes internationaux soit 100 reproductions hyperréalistes de nos espaces de vie quotidienne.</span></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;">D'autre part une exposition unique en Europe permettant de tout comprendre sur les techniques des effets spéciaux du cinéma. Ce parcours pédagogique illustré par plus de 300 objets originaux de tournages révèle la magie des plus grands studios de cinéma actuels. </span></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;">Un lieu vivant :</span></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;">Les artistes travaillent quotidiennement dans leur atelier de création de miniatures et de restauration d'objets authentiques de cinéma.</span></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;"><br /></span></div>
<div class="p2" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;"><i>Visit the museum into 4 / 2° > Film sets / Fantasy & Science Fiction</i></span></div>
<div class="p2" style="text-align: justify;">
<i><span style="font-family: Trebuchet MS, sans-serif;"></span></i></div>
<div class="p2" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;"><i>All these prints were used for films or French and American series. (PLANET TERROR, TERMINATOR, 2001 The Space Odyssey, ALIEN, etc ...)</i></span></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;">Created by miniaturist artist Dan Ohlmann, the Musée Cinéma et Miniature presents two rare and exclusive collections :</span></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;">first, over 100 miniature scenes exquisitely crafted by world-renowned miniaturists and reproducing daily life settings with hyperrealism;</span></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;">second, a film exhibition, one-of-its-kind in Europe, that focuses on special effects techniques. Featuring over 300 original film props and artefacts, this educational display uncovers the magic behind the greatest film studios. </span></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;">A living place :</span></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;">Staff artists are daily at work to create new scale miniatures and restore genuine film props in their workshop.</span></div>
<div class="p2" style="text-align: justify;">
<br /></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;"><i style="background-color: #f3f3f3;">link website > <a href="http://www.museeminiatureetcinema.fr/accueil.html">http://www.museeminiatureetcinema.fr/accueil.html</a></i></span></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;"><i style="background-color: #f3f3f3;">credit photo > xdk</i></span><br />
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XDKhttp://www.blogger.com/profile/04865664434166349020noreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-19777380977020346032014-04-19T00:00:00.000+02:002014-04-19T00:00:03.613+02:00FPDV / ARTIST PRESENTATION / MARKO MAETAMM / BY XDK<div class="p1">
</div>
<div style="text-align: justify;">
<span style="font-family: 'Trebuchet MS', sans-serif;"><i>Project BLEEDING HOUSES</i></span></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;">Often I exhibit them together with my horroristic stories which are just like told by the particular houses. Then the whole project is called SPEAKING HOUSES. The project is space specific, which means that where ever I show the project I try to use local houses. And sometimes if possible and needed, I paint houses righ on the gallery wall.</span></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;"><br /></span></div>
<div class="p1" style="text-align: justify;">
<span style="background-color: #f3f3f3; font-family: Trebuchet MS, sans-serif;"><i>link website > <a href="http://www.maetamm.net/">http://www.maetamm.net</a></i></span></div>
<div class="p1" style="text-align: justify;">
<span style="background-color: #f3f3f3; font-family: Trebuchet MS, sans-serif;"><i>credit photo > Marko Maetamm</i></span></div>
<div class="p1" style="text-align: justify;">
<span style="background-color: #f3f3f3; font-family: Trebuchet MS, sans-serif;"><i><br /></i></span></div>
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<span style="background-color: #f3f3f3; font-family: Trebuchet MS, sans-serif;"><i><br /></i></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-62626273073201325402014-04-17T20:50:00.000+02:002014-04-17T21:26:05.261+02:00FPDV / MUSEUM PRESENTATION / MUSEE MINIATURE & CINEMA / LYON / BY XDK<div class="p1" style="text-align: justify;">
<i><span style="font-family: Trebuchet MS, sans-serif;">Visite du musée en 4 parties / 1° > </span><span style="font-family: 'Trebuchet MS', sans-serif;">Anatomie</span></i></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;"><i>Toutes ces reproductions ont servi pour des films ou des séries françaises et américaines. (X-FILES, BUFFY, etc...)</i></span></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;">Fondé par le miniaturiste Dan Ohlmann, leMusée Miniature et Cinéma présente en exclusivité à Lyon deux collections rares et insolites :</span></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;">D'une part celle des scènes en miniature d'artistes miniaturistes internationaux soit 100 reproductions hyperréalistes de nos espaces de vie quotidienne.</span></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;">D'autre part une exposition unique en Europe permettant de tout comprendre sur les techniques des effets spéciaux du cinéma. Ce parcours pédagogique illustré par plus de 300 objets originaux de tournages révèle la magie des plus grands studios de cinéma actuels. </span></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;">Un lieu vivant :</span></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;">Les artistes travaillent quotidiennement dans leur atelier de création de miniatures et de restauration d'objets authentiques de cinéma.</span></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;"><br /></span></div>
<div class="p2" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;"><i>Visit the museum into 4 / 1° > Anatomy </i></span></div>
<div class="p2" style="text-align: justify;">
<i><span style="font-family: Trebuchet MS, sans-serif;"></span></i></div>
<div class="p2" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;"><i>All these prints were used for films or French and American series. (X-FILES, BUFFY, etc ...)</i></span></div>
<div class="p1" style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;">Created by miniaturist artist Dan Ohlmann, the Musée Cinéma et Miniature presents two rare and exclusive collections :</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">first, over 100 miniature scenes exquisitely crafted by world-renowned miniaturists and reproducing daily life settings with hyperrealism;</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">second, a film exhibition, one-of-its-kind in Europe, that focuses on special effects techniques. Featuring over 300 original film props and artefacts, this educational display uncovers the magic behind the greatest film studios. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">A living place :</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Staff artists are daily at work to create new scale miniatures and restore genuine film props in their workshop.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><i style="background-color: #f3f3f3;">link website > <a href="http://www.museeminiatureetcinema.fr/accueil.html">http://www.museeminiatureetcinema.fr/accueil.html</a></i></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><i style="background-color: #f3f3f3;">credit photo > xdk</i></span></div>
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XDKhttp://www.blogger.com/profile/04865664434166349020noreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-40201455823717789202014-04-04T00:00:00.000+02:002014-04-04T00:00:06.445+02:00FPDV / ARTIST PRESENTATION / JORDI COLOMER / BY XDK<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Trebuchet MS, sans-serif;">Anarchitekton est le titre générique d’une série de vidéos construite comme un work in progress. Barcelone, Bucarest, Brasilia, Osaka sont les premières étapes de ce trajet.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Personnage singulier, Idroj Sanicne parcourt la ville en contaminant la rue de fiction. Les maquettes d’immeubles qu’il brandit sont en quelque sorte des étendards grotesques, des provocations utopiques ou de brillantes bannières. Idroj court au rythme saccadé de l’enchaînement des images fixes qui rend compte – paradoxalement – d’un mouvement sans fin. Chaque ville est présentée sur un écran au sein d’une multiprojection simultanée.</span></div>
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<span style="background-color: #f3f3f3; font-family: Trebuchet MS, sans-serif;"><i>link website > <a href="http://www.jordicolomer.com/">http://www.jordicolomer.com/</a></i></span></div>
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<span style="background-color: #f3f3f3; font-family: Trebuchet MS, sans-serif;"><i>link anarchitekton project > <a href="http://www.jordicolomer.com/anarchitekton/intro_fr.htm">http://www.jordicolomer.com/anarchitekton/intro_fr.htm</a></i></span></div>
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<span style="background-color: #f3f3f3; font-family: Trebuchet MS, sans-serif;"><i>text & credit photo > Jordi Colomer</i></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-51536845326365853242014-04-02T00:00:00.000+02:002014-04-02T00:00:04.822+02:00FPDV / ARTIST PRESENTATION / IAN WAELDER / BY XDK<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-family: 'Trebuchet MS', sans-serif; text-align: justify;">Madrid, 1993</span><br />
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<span style="font-family: Trebuchet MS, sans-serif;">Vive y trabaja en Palma de Mallorca</span></div>
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<i style="background-color: #f3f3f3;"><span style="font-family: Trebuchet MS, sans-serif;">link website Louis 21 " The Gallery" > <a href="http://news.louis21.es/Ian-Waelder">http://news.louis21.es/Ian-Waelder</a></span></i></div>
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<i style="background-color: #f3f3f3;"><span style="font-family: Trebuchet MS, sans-serif;">credit photo > Ian Waelder</span></i></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Ian Waelder (Madrid, 1993) propone una peculiar visión de lo cotidiano capturado a través de medios analógicos: carretes en blanco y negro, escaneados de negativos y un plótter de planos. Las fotografías, una vez impresas, las manipula, plegando el papel hasta que desaparece su bidimensionalidad y consiguiendo así un volumen. [La imagen es ahora testigo de un asesinato, la aniquilación de todas las demás formas].</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivP3FcmLfew3O5ld_X3yG9COS4mJ3ZxBnAawm6tqYtPUxsjsdccN5Holzk76jcP19w29-9AeQfuZSRwxbOc_oVNqDGORaAF5uTDPm5G82oBouGzVaQ3Tf8pb7bDZm0iOkXgqKmKkXaePg/s1600/1800163_10202862177891420_229592170_o.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivP3FcmLfew3O5ld_X3yG9COS4mJ3ZxBnAawm6tqYtPUxsjsdccN5Holzk76jcP19w29-9AeQfuZSRwxbOc_oVNqDGORaAF5uTDPm5G82oBouGzVaQ3Tf8pb7bDZm0iOkXgqKmKkXaePg/s1600/1800163_10202862177891420_229592170_o.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: justify;"><i style="color: #333333; line-height: 18px; text-align: left;"><span style="font-family: Trebuchet MS, sans-serif;">Ian Waelder</span></i></td></tr>
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<span style="font-family: Trebuchet MS, sans-serif;">Waelder se asoma al borde de lo indecible. La infinita reproducibilidad de la fotografía se convierte en una tridimensionalidad única, resultado de un proceso subjetivo que no se oculta, sino que deja sendos rastros de una manipulación experimental. La imagen registrada por la cámara hace amago de ocultarse entre los pliegues mientras que el artista da la espalda al público, complicándonos la visión. Con su trabajo pone continuamente a prueba la percepción, ahuyentando todo espejismo y aparente cercanía de la imagen. Un proceso de búsqueda poblado de caídas y heridas, un sin fin de vueltas y, aún más, de vueltas a empezar.</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjq7oZ4_g9Lv0eqD2QVsXuC_reZjSfLqlLtgm0Q4lOkRouzEIE1BCSzrZxjuBLKzrIU2QGinQZW5KxPO4HgxwYYhKB6PJDlwEYp58nQjWqREe-bS5IGYRxgfVp00NsgjsEuwmqs_XBKSNQ/s1600/945304_10200832239904239_1334059844_n_640.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjq7oZ4_g9Lv0eqD2QVsXuC_reZjSfLqlLtgm0Q4lOkRouzEIE1BCSzrZxjuBLKzrIU2QGinQZW5KxPO4HgxwYYhKB6PJDlwEYp58nQjWqREe-bS5IGYRxgfVp00NsgjsEuwmqs_XBKSNQ/s1600/945304_10200832239904239_1334059844_n_640.jpg" /></a></td></tr>
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<i><span style="font-family: Trebuchet MS, sans-serif;">Photo in an envelope #02, 2013 / Ed.1/1</span></i><i><span style="font-family: Trebuchet MS, sans-serif;"> / </span></i><i><span style="font-family: Trebuchet MS, sans-serif;">18x26 cm / 126x85x16 cm</span></i></div>
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<i><span style="font-family: Trebuchet MS, sans-serif;">Impresión de plótter de plano sobre papel, sobre de papel kraft matasellado, rotulador y velcro adhesivo a doble cara</span></i></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSWI8mHBTyF_y1GvaxPCqprJWlkwKwGqCwgnntPGd-AWBxmYNd01ByLN1RkzsUAWDCOQ4OBc3ccxZDPIlVn4N4QnGGi79A1Fc__l2PQF1dwdVGmU2gxYbvR12PlzkFgc9bBdQkXuZGbF4/s1600/1891613_10202721253848407_225496318_o.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSWI8mHBTyF_y1GvaxPCqprJWlkwKwGqCwgnntPGd-AWBxmYNd01ByLN1RkzsUAWDCOQ4OBc3ccxZDPIlVn4N4QnGGi79A1Fc__l2PQF1dwdVGmU2gxYbvR12PlzkFgc9bBdQkXuZGbF4/s1600/1891613_10202721253848407_225496318_o.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: justify;"><span style="background-color: white; color: #333333; line-height: 18px; text-align: left;"><i><span style="font-family: Trebuchet MS, sans-serif;">Billboard Kids</span></i></span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuWygjafQzOkzOGaS0EWHUnOmksCSliJXk5gQTP9kzW6axSpGp_Z6IK4Ojf08HWdQoiQOkwg8Txmz6V554jgmaoc__vCBPl4PwL-qn4ubOVzx-6zxRYIDiJT8K55sL-lm0LFblGuoT_RY/s1600/ianwaelder_sidewalk04-low_640.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuWygjafQzOkzOGaS0EWHUnOmksCSliJXk5gQTP9kzW6axSpGp_Z6IK4Ojf08HWdQoiQOkwg8Txmz6V554jgmaoc__vCBPl4PwL-qn4ubOVzx-6zxRYIDiJT8K55sL-lm0LFblGuoT_RY/s1600/ianwaelder_sidewalk04-low_640.jpg" /></a></td></tr>
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<span style="font-family: Trebuchet MS, sans-serif;"><i>Sin título, 2013 / 108x89x25 cm</i></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><i>Impresión de plótter de plano sobre papel, cartulina, spray, velcro adhesivo y cinta americana</i></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaCr7ybVtu-03o3wzHiuHFCxaCVu_RSYhKclW3qtlG5aJHlpEayG0_-N3x_glhD7OYIg0rBWkaQSRvBrpMTO_zoqZZJTzMKK0QRNP5LdAsqpt4BSfj6uXrA4YFbYZ9Qdby0Z2lyP9xzEc/s1600/obrasidewalk03_640.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaCr7ybVtu-03o3wzHiuHFCxaCVu_RSYhKclW3qtlG5aJHlpEayG0_-N3x_glhD7OYIg0rBWkaQSRvBrpMTO_zoqZZJTzMKK0QRNP5LdAsqpt4BSfj6uXrA4YFbYZ9Qdby0Z2lyP9xzEc/s1600/obrasidewalk03_640.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div class="p1" style="text-align: left;">
<i><span style="font-family: Trebuchet MS, sans-serif;">Bar Montecarlo, 2013 / 115x91x25 cm / </span><span style="font-family: 'Trebuchet MS', sans-serif;">Impresión de plótter de plano sobre papel y velcro adhesivo</span></i></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-18355031926147793422014-03-30T00:00:00.000+01:002014-03-30T00:00:00.134+01:00FPDV / ARTIST PRESENTATION / JENNY BERNTSSON / BY XDK<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: 'Trebuchet MS', sans-serif;"><b>SANDCITY</b> is a mobile temporary project where I have built sand cities in different locations around the world. Casts of buildings from different places put together compose each Sandcity piece. The approximately twenty different models each stands for a specific country, class or time period. With the sand I construct an image of a city that is big and massive, but at the same time fragile and changeable. The sand and the surrounding speeds the process and makes the historical course of events visible. The project is talking about the differences between places in a cultural aspect, like the complexity of the mega city Mumbai in India in contrast to the rich environments of the wasteland of Iceland. The project is a development and research in the arts (r&d) project where I investigated the surrounding and the art contexts influences on the piece.</span><br />
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<i style="background-color: #eeeeee; text-align: justify;"><span style="font-family: Trebuchet MS, sans-serif;">link > </span><span style="text-align: left;"><span style="font-family: Trebuchet MS, sans-serif;"><a href="http://www.jennyberntsson.com/index.html">http://www.jennyberntsson.com/index.html</a></span></span></i><br />
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<span style="font-family: Trebuchet MS, sans-serif;"><i style="background-color: #eeeeee;">Images from Mumbai, Iceland and the Architectural Museeum. Small images from Gärdet 2005 (the absolutely first one), Kärradal, Svindersvik, Istanbul/Kilyos and Smedsuddsbadet. credit photo Jenny Berntsson</i></span><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-7302676107218736472014-03-27T00:00:00.000+01:002014-03-27T00:00:05.985+01:00FPDV / ARTIST PRESENTATION / ENIKO KRAMCSAK / BY KAROLY SANDOR PALLAI <div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Trebuchet MS, sans-serif;">She was born in 1984, in Szikszó. <span class="s1">She’s been painting since her early childhood. </span>She started painting and drawing on the margin of school textbooks at a very young age, then her talent was discovered by her art teachers: this was the beginning of her journey. Although her high school studies diverted her temporarily, she continued creating artworks in her spare time, she took private art classes, attended art camps and study circles during school years and after work. The news about her talent and art started to spread. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">In the small provincial town where she grew up, she had the chance to display her works alongside with the paintings of artists, art teachers and their disciples. Her works were published as illustrations in yearbooks and reviews. She feels that most of all, she can accomplish herself in painting, in the process of creation in which she is totally immerged with intense colours and forms, imbuing them with emotions. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">She’s not a trained artist, although she feels that creativity and creation are an organic part of her life. As an enthousiastic self-taught artist, she has tried many technics but painting proved to be the one which can cure her soul, the field in which she can evolve her talent. By the means of her works of art, she also becomes a ”healer” of others. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Her paintings radiate harmony and love through a unique universe of style and colour. Usually, she has set themes inspiring her creative activity; whenever she can, she takes pictures and then translates them into her own language. Nowadays, she paints to order as well, her most important commission was realized on a wall surface of 1,5x1,5 metres. The acknowledgement and the respect of others give her confirmation in what she already feels, that she has a vocation to painting. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">She defines the mission of her life as bringing harmony and love into the lives of people so that anyone looking at her works may be able to enter fully into the spirit the most important message, namely that we need to live every day with Joy, surrounded by Love. </span><br />
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<span style="font-family: Trebuchet MS, sans-serif;"><i style="background-color: #f3f3f3;">link website> <a class="_553k" href="http://www.entirre.com/" rel="nofollow" style="cursor: pointer; line-height: 15.359999656677246px; padding: 1px 0px; text-align: left; white-space: pre-wrap;" target="_blank">www.entirre.com</a></i></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-59352451325780065462014-03-25T01:57:00.001+01:002014-03-25T20:49:57.522+01:00FPDV / ARTIST PRESENTATION / ISIDRO BLASCO / BY XDK<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="background-color: white; font-family: 'Trebuchet MS', sans-serif;"><b>PLANETS</b></span></div>
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<span style="background-color: white; font-family: Trebuchet MS, sans-serif;">For the last seven years I have been taking photographs from tall buildings in every city that I happen to visit. And only now I've decided to produce the pieces. Lots of work each one but worth it!</span><br />
<span style="background-color: white; font-family: Trebuchet MS, sans-serif;"><br /></span>
<i style="background-color: #eeeeee; font-family: 'Trebuchet MS', sans-serif;">link > <a href="http://isidroblasco.com/home.html">http://isidroblasco.com/home.html</a></i></div>
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<i style="font-family: 'Trebuchet MS', sans-serif;"><span style="background-color: #eeeeee;">credit photo > Isidro Blasco</span></i><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoTflu83kCIcB0eiTU2h-4MWDqQxFEU5S05_ktkvUatg-BXXaWbYmHGXKsg4o6eMFJlXakhk53fqL0E30SKR0a534_3jBUjGqit8qTj5-OihfOtPTGk6Sk4n7q3-oVWTJHgkttA5mujH4/s1600/984x588-vndYznT4Sx9ZuMx_.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoTflu83kCIcB0eiTU2h-4MWDqQxFEU5S05_ktkvUatg-BXXaWbYmHGXKsg4o6eMFJlXakhk53fqL0E30SKR0a534_3jBUjGqit8qTj5-OihfOtPTGk6Sk4n7q3-oVWTJHgkttA5mujH4/s1600/984x588-vndYznT4Sx9ZuMx_.jpg" /></a></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-32977188714159999722014-02-21T14:52:00.001+01:002014-02-21T14:52:18.240+01:00FPDV / Collaboration > illustration by András Ferenc Pintér & text by Károly Sándor Pallai / Hongrie<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWl_eRz6cLMaIJG5-QlDnniZkKzm3nTiu52osfumdmEtk6jtPmoNKEq8BDLUBV8CMu-YOjX3L_aExBJwUOy472_vh7Pe-WSe09WRBJKPVBfPjfSI8sGJWo4oysYUO_MciqP6ATi478f3E/s1600/unnamed-2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWl_eRz6cLMaIJG5-QlDnniZkKzm3nTiu52osfumdmEtk6jtPmoNKEq8BDLUBV8CMu-YOjX3L_aExBJwUOy472_vh7Pe-WSe09WRBJKPVBfPjfSI8sGJWo4oysYUO_MciqP6ATi478f3E/s1600/unnamed-2.jpg" /></a></div>
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<span style="font-family: Verdana, sans-serif;">Psalmul vieţii mele / Poem pentru Klara Fekete</span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span></div>
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<span style="font-family: Verdana, sans-serif;">Lumea mea emoţională este un porumb pentru floricele arse, un sufleu mintal.</span></div>
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<span style="font-family: Verdana, sans-serif;">Plicuri exilate în frigider strălucesc </span></div>
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<span style="font-family: Verdana, sans-serif;">ameninţător cu ştiri funerare. </span></div>
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<span style="font-family: Verdana, sans-serif;">Felinare de o goliciune promiscuă şi de o</span></div>
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<span style="font-family: Verdana, sans-serif;">respiraţie ce se prăbuşeste. </span></div>
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<span style="font-family: Verdana, sans-serif;">Teren arabil, transpiraţie acrişoară, o mulţime</span></div>
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<span style="font-family: Verdana, sans-serif;">de tumori scârnave: centralele electrice ale ruşinii.</span></div>
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<span style="font-family: Verdana, sans-serif;">Numeroase elemente de beton armat înfuriate în sufletele noastre – vârste şi amintiri iremediabile.</span></div>
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<span style="font-family: Verdana, sans-serif;">Am irosit anotimpurile în mod nechibzuit</span></div>
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<span style="font-family: Verdana, sans-serif;">în seri iluminate de vară.</span></div>
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<span style="font-family: Verdana, sans-serif;">Timpul este un gecko impasibil, călcat în picioare.</span></div>
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<span style="font-family: Verdana, sans-serif;">Viitorul cade pe gâtul nostru ca</span></div>
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<span style="font-family: Verdana, sans-serif;">un nor ce se înalţă.</span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span></div>
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<span style="font-family: Verdana, sans-serif;">Credinţa mea este incurabilă de artritică. </span></div>
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<span style="font-family: Verdana, sans-serif;">- - - - - - - - - - - </span><span style="font-family: Verdana, sans-serif;">- - - - - - - - - - - </span><span style="font-family: Verdana, sans-serif;">- - - - - - - - - - - </span><span style="font-family: Verdana, sans-serif;">- - - - - - - - - - - </span><span style="font-family: Verdana, sans-serif;">- - - - - - - - - - - </span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span></div>
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<span style="font-family: Verdana, sans-serif;">Psalm of my life / Dedicated to Klára Fekete</span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span></div>
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<span style="font-family: Verdana, sans-serif;">My emotional world is a burnt popcorn,</span></div>
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<span style="font-family: Verdana, sans-serif;">a mental souffle.</span></div>
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<span style="font-family: Verdana, sans-serif;">Envelopes exiled in the fridge are shining ominously with deadly news. </span></div>
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<span style="font-family: Verdana, sans-serif;">Lanterns of a promiscuous emptiness and</span></div>
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<span style="font-family: Verdana, sans-serif;">collapsing respiration. </span></div>
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<span style="font-family: Verdana, sans-serif;">Inlands, acidulous transpiration, a myriad of</span></div>
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<span style="font-family: Verdana, sans-serif;">smutty tumours: the power plants of shame. </span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span></div>
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<span style="font-family: Verdana, sans-serif;">Many reinforced concrete elements enraged in our souls – irremediable memories and ages. </span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span></div>
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<span style="font-family: Verdana, sans-serif;">We’ve improvidently wasted the seasons</span></div>
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<span style="font-family: Verdana, sans-serif;">at luminous summer evenings. </span></div>
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<span style="font-family: Verdana, sans-serif;">Time is an impassible and trampled gecko. </span></div>
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<span style="font-family: Verdana, sans-serif;">The future falls on our neck like </span></div>
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<span style="font-family: Verdana, sans-serif;">a billowing cloud.</span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span></div>
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</div>
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<span style="font-family: Verdana, sans-serif;">My faith is incurably arthritic.</span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-28379470281323116072014-01-23T00:00:00.000+01:002014-01-24T01:24:54.014+01:00FPDV / CRÓNICAS DESDE EL SUR / Bosque-jo- Sheila y French Napp / by Celeste Martinez<div dir="ltr" style="text-align: left;" trbidi="on">
<span class="Apple-style-span" style="font-family: Verdana; font-size: 12px;">Obra : <b>Bosque-jo-</b></span><br />
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Artistas : Sheila y French Napp</div>
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Lugar y fecha: 7 de Noviembre al 3 de Diciembre de 2013, ciudad de Córdoba, Argentina.</div>
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<b>Una casa. Una familia. Un bosque.</b><br />
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En la Sala 5 del Museo Caraffa, un gran cubo blanco de 10m x 16m x6 m. de superficie, se encuentra una familia que habita allí mientras construye un bosque de papel, todos los días el bosque avanza de manera progresiva hasta finalizar la muestra. Un muro los aísla del resto del museo y de la gente que transita, y sólo a través de unas ventanillas del muro nos invitan a espiar ese íntimo proceso. <b></b></div>
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<b>Info de los artistas:</b><br />
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<i>Sheila >>></i>Córdoba Argentina (1983).</div>
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Técnico en Artes Visuales en la Escuela provincial Dr. Figueroa Alcorta.</div>
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Participa en el 2010 en la Muestra Internacional AFUERA . Ha participado en diversas muestras colectivas. </div>
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<i>French Napp >>></i>Horacio French. <i> </i></div>
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Referente del Street Art de la ciudad de Córdoba. Su trabajo lo fue construyendo en diferentes ciudades argentinas y en el exterior. Ha participado en proyectos como en el Paris Dakar (2009), en el AFUERA! (2010, Centro Cultural España Córdoba), en el documental Obra en Construcción, para canal Encuentro, por la productora Pura Vida (2012), en el SESC Ipiranga (2013, São Paulo) .</div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-39021009369403419082014-01-20T13:49:00.000+01:002014-01-20T16:48:24.806+01:00FPDV / Collaboration > illustration by Eszter Batta Eszter Batta & text by Károly Sándor Pallai / Hongrie<div dir="ltr" style="text-align: left;" trbidi="on">
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTfv21TaI08yoNcBIvnq3uO9I_ik9QllOnRRb-zvDYwf_HWH-MyUkAm7eaDmcJcQqC1f_ZA43eSR-F8PCMrEhfaRkAEYLDXXWMLwHf04mTd-wNdf_UH_5_jRF6pGoOWXBlRLAvZS7Tq7s/s1600/Eszter+Batta+-+Primavera.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTfv21TaI08yoNcBIvnq3uO9I_ik9QllOnRRb-zvDYwf_HWH-MyUkAm7eaDmcJcQqC1f_ZA43eSR-F8PCMrEhfaRkAEYLDXXWMLwHf04mTd-wNdf_UH_5_jRF6pGoOWXBlRLAvZS7Tq7s/s1600/Eszter+Batta+-+Primavera.jpg" /></a></td></tr>
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<i>Eszter Batta / Primavera</i></div>
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<i><br /></i>
<i>texte > Károly Sándor Pallai</i></div>
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<b>Mapambazuko ya jioni</b></div>
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<i>Kwa Evalin Karijo</i></div>
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Usiko wa leo wafifia haraka, katika mwangaza wa mwezi unaodidimia. Sisi, maraia wa huu ukatili kimataifa.</div>
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Tunaishi katika dunia ya karakati, ya vita</div>
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na ya danganyo. Sisi, mataifa </div>
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Sisi tu fataki ya muda mfupi mbinguni. </div>
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Sisi, watu wa macheo tete.</div>
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Siasa pengine ni bwawa janja,</div>
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lakini ukweli dhahiri rahisi. </div>
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Mwishoni wa ulimwengu, jua itameremeta?</div>
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Tunahitaji mno utakaso wa bahari kuu,</div>
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baraka ya wazee wetu, </div>
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tunakumbatia mila zetu. </div>
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Jua la karama, tuangazie sisi.</div>
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Nuru ya wetu utamaduni, sindikiza sisi. </div>
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Tunahitaji meneno ya kweli, ya upinzani,</div>
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kuipa tumaini kwa nchi yetu, kuvunja</div>
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kimya, kupenda. </div>
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Kuponya jeraha za kale.</div>
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Huu ni ushahidi wetu, hii ni hatma yetu.</div>
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<b>Evening Sunrise</b></div>
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<i>Dedicated to Evalin Karijo</i></div>
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Tonight is quickly fading in the lights of the dying moon. Us, citizens of this global barbary. </div>
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We live in a world of agitation, wars </div>
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and delusion. Us, nations of the world. </div>
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We’re only momentary fireworks of heaven.</div>
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Us, peoples of a fragile dawn. </div>
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Policy is sometimes a crafty swamp,</div>
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truth, however, is apparently simple. </div>
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Will the sun shine at the end of the world? </div>
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We desperately need the purification of the ocean, the blessings of our ancestors, </div>
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to embrace our traditions.</div>
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Sun of blessings, cast your light upon us. </div>
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Light of our culture, be our shepherd. </div>
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We need the words of truth, of resistance,</div>
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to give hope to our country, to break</div>
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the silence, to love. </div>
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To heal the wounds of the past.</div>
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This is our testimony, this is our fate.</div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-4700864866461991022013-11-04T00:00:00.000+01:002013-11-04T00:00:00.860+01:00FPDV / ARTIST PRESENTATION / Christine MATHIEU : prestance occulte, fétiches bruts, intériorité souveraine… / by Nicolas Savignat<div dir="ltr" style="text-align: left;" trbidi="on">
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HYPERLINK > http://www.christine-mathieu.com > <span style="color: #1738f5; text-decoration: underline;">www.christine-mathieu.com</span></div>
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Exposition à venir : </div>
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Biennale de la photographie FOTONOVIEMBRE 2013-10-10 / Centre de la photographie de Tenerife – Espagne</div>
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<span class="Apple-style-span" style="font-family: Times; font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipn1USMty9Q3rzEWXnGY7qONwBO5Ims8uOlqLvdqq2RUjZYt1hFwy3h19_tsvc8KFf-ngCOQ30GZAef-Ol6xHtGbAKy-QKbQqcWLEVde3FMGIQhLmVoKakAKIz-opPho_7NjmCOZTAa7k/s1600/image+%231.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipn1USMty9Q3rzEWXnGY7qONwBO5Ims8uOlqLvdqq2RUjZYt1hFwy3h19_tsvc8KFf-ngCOQ30GZAef-Ol6xHtGbAKy-QKbQqcWLEVde3FMGIQhLmVoKakAKIz-opPho_7NjmCOZTAa7k/s1600/image+%231.jpg" /></a></span></div>
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Christine Mathieu, <i>Le puissant </i>- 2013</div>
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<i></i><br /></div>
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Présente dernièrement au festival Manifesto du 07 au 28 septembre à Toulouse, la photographe Christine Mathieu se distingue par un travail singulier : un univers intrigant au magnétisme intense, à la facture précieuse, à la radicalité juste. Dans la série <i>Le temps exténué réclame du silence</i>,<i> </i>nous pouvons observer une galerie de « portraits », de masques-objets représentés frontalement. Ses images ne se réfèrent nullement à un réalisme objectif, à une filiation unique, à un archétype commun tout au contraire son aura tient de son impénétrabilité latente, son étrangeté inaccessible, sa magnificence suffisante.</div>
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Christine Mathieu, <i>Le dieu de la nuit </i>- 2013</div>
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Ainsi des éléments sont isolés, des formes élues, des artifices agencés selon l’inspiration poétique, la valeur onirique, le cheminement spirituel d’une trajectoire suivie, d’une pratique soutenue. Il en résulte des pièces épurées à l’empreinte esthétique forte et à la permanence intrinsèque : ovoïde piqué ponctuellement de perles, buste massif recouvert d’une accumulation d’argile, volume constellé de ouate évanescente, surface assemblée de pièces de tissu comme les segments d’une membrane suturée…</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRxPj6emMEnks5v0CsH2zjlwaVZNcAf4SMc-1Ehuvq-VhCXQX6yl1i7GK7zC-O_YCvGOePTgHvHftsW7woaUOWA11nN_tDryzDbxQTBJCCNczFLh1g8RxWWnnrOPfD83U8cTx5vok04I4/s1600/image+%233.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRxPj6emMEnks5v0CsH2zjlwaVZNcAf4SMc-1Ehuvq-VhCXQX6yl1i7GK7zC-O_YCvGOePTgHvHftsW7woaUOWA11nN_tDryzDbxQTBJCCNczFLh1g8RxWWnnrOPfD83U8cTx5vok04I4/s1600/image+%233.jpg" /></a></td></tr>
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Christine Mathieu, <i>L’esprit de la montagne </i>- 2013</div>
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Christine Mathieu, <i>L’attentif </i>- 2013</div>
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Dans les créations de Christine Mathieu on peut identifier des affinités prononcées avec des domaines spécifiques : l’art premier avec ses pratiques ritualisées, ses accessoires magiques, sa constitution archaïque, ses fétiches prophétiques, son idéal chamanique, sa résonance anthropologique… Il y a également des liens avec d’autres univers comme la culture populaire du cinéma fantastique et son bestiaire de créatures mutantes à la monstruosité inédite et son lot de justiciers masqués revêtus d’apprêtements stylisés à la codification détaillée, typée, allégorique.</div>
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Christine Mathieu, <i>La déesse noire </i>- 2013</div>
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Dans son ensorcellement contenu à l’ornement sobre, son mutisme manifeste à l’interrogation inquiète, son caractère « apatride » à l’incarnation solide, cette œuvre nous libère d’une représentation close, d’un formalisme exigu, d’une beauté uniforme aux platitudes stériles. Ici l’esprit se rêve allégrement, les formes se modifient inlassablement, les symboliques se renouvellent largement comme une physionomie métissée, plurielle ; paradoxalement tribale.</div>
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Christine Mathieu, <i>La somnambule </i>- 2013</div>
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La force subversive, la brutalité sourde émanant de la recherche de Christine Mathieu vient peut-être de la constitution sui generis du mystère, de la substance même du secret : indicible, inextinguible, silencieux, originel. Une entité fascinante qui tient sa particularité équivoque, sa profondeur acérée d’une vision ostentatoire, impériale de l’artifice et de ses effets.</div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-889396494991840412013-10-31T12:30:00.000+01:002013-10-31T12:25:04.678+01:00FPDV / Collaboration : image by Babos Bertalan „Zsili” & text by Károly Sándor Pallai / Hongrie<div dir="ltr" style="text-align: left;" trbidi="on">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuBDOQoi9LMT38bpdal_HcsnC0Sr3D0Y_olR5hpQToLmCwSkJlt4BaiHhjDx9Tdm4C_bUcIpcokamBLhfe1LqeSxgl5E8TkvRVJOtDSv9RVuP1w5C1ct1WLF7O5vXIcgXt6CetxAEcLhI/s1600/20080506_0096.jpg" imageanchor="1" style="clear: left; display: inline !important; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuBDOQoi9LMT38bpdal_HcsnC0Sr3D0Y_olR5hpQToLmCwSkJlt4BaiHhjDx9Tdm4C_bUcIpcokamBLhfe1LqeSxgl5E8TkvRVJOtDSv9RVuP1w5C1ct1WLF7O5vXIcgXt6CetxAEcLhI/s1600/20080506_0096.jpg" /></a><br />
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<b>Europa em meus sonhos</b> </div>
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<i>dedicado a escritora brasileira Lucila Nogueira</i></div>
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Somos profetas elétricos desta idade vibrante e escandalosa, </div>
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uma conscientização aguda. </div>
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O êxtase e o desdém respiram ruidosamente </div>
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na janela cobertos de uma cintilação insatisfeita. </div>
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Onde está nossa Europa abundante em tradições e valores milenares? </div>
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O colonizador abominou, execrou, o predador odiou.</div>
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A seus pés o novo e o velho fundem ignominiosamente: uma história de explorações monstruosas, infames, perversas. <span style="color: #95154f;"><b><i> </i></b></span></div>
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<b><i></i></b><br /></div>
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A união faz a força. </div>
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Onde é nossa união, onde é nossa força?</div>
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Nossas verdades são repelentes, nossas façanhas permanecerão repugnantes e ulcerosas. </div>
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Haveremos de nos unir na procissão interminável das nações desbotadas, os desastres humanitários? </div>
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Esta é uma verdade alinhavada, uma hidrocefalia da liberdade.</div>
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Esta é uma agorafobia de cumplicidade, o pavor ensopado da obrigação.</div>
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Marchamos sem medo para a nossa felicidade compartilhada sem sentido.</div>
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<b>Europe in my dreams</b></div>
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<i>dedicated to the Brazilian writer Lucila Nogueira</i></div>
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We are the electronic prophets of this vibrant and scandalous age,</div>
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a piecing conscientization. </div>
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The ecstasy and the disdain wheeze in the window, covered in the glittering of dissatisfaction.</div>
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Where is our Europe reach in millennial</div>
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traditions and values?</div>
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The abhorred and loathed colonizer, the detested predator.</div>
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At her feet the old and the new weld ignominiously: a history of monstrous, disgraceful, perverted exploitation. </div>
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Unity makes strength.</div>
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Where is our unity, where is our strength?</div>
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Our truths are repellent, our truths will remain repugnant and</div>
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ulcerous. </div>
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Will we join the never ending procession of faded nations, the humanitarian</div>
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disasters?</div>
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This is a fetched truth, a hydrocephalic liberty.</div>
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An agoraphobia of complicity, the soaking dread of commitment. </div>
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We march fearlessly towards our nonsensical common happiness.</div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-30398188663285781972013-10-31T12:09:00.003+01:002013-10-31T12:09:27.158+01:00FPDV / ARTIST PRESENTATION / Babos Bertalan „Zsili” / Hongrie / by Károly Sándor Pallai<div dir="ltr" style="text-align: left;" trbidi="on">
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Birthplace: Budapest</div>
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Date of birth: 1980. 05. 08.</div>
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E-mail address: en@zsili.tv</div>
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Blogs:<span class="Apple-tab-span" style="white-space: pre;"> </span></div>
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www.zsili.tv</div>
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zsili.blogspot.com</div>
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www.zsili2008.blogspot.com</div>
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www.zsili2009.blogspot.com</div>
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www.feherfeketepisti.blogspot.com</div>
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www.munkacsoport.blogspot.com</div>
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www.zsiliplaces.blogspot.com</div>
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<i>Education: </i> </div>
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2002-2007 Hungarian University of Fine Arts, Budapest (painter and graphic designer faculties)</div>
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2000-2001 Vocational School of Decorator and Window-dresser, Budapest</div>
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1994-1999 High School of Fine Arts, Budapest (bookbinder and book illustrator faculties)</div>
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2000: Bookdesign Biennale of Sopron / „My own children's drawings paraphrases” intitled book</div>
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<i>Space-directing activity:</i></div>
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2013: „Wndrlnd” outdoor entertainment bar, outdoor design / creative artistic director</div>
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2012: „Púder Bar Theatre and Gallery” / interior design/ creative artistic director</div>
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2011: „Csak Art Bar” / interior design</div>
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2010: „Szatyor Bar and Gallery”, restaurant and contemporary gallery interior design / creative artistic director</div>
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2008: „Csendes Lét-terem” cultural cafe interior design / creative artistic director</div>
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<i>Painting Awards, Scholarships:</i> </div>
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2004 Erasmus studentship - Villa Arson / Nizza / France </div>
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1999 „Rékassy Csaba-Award” – study fee</div>
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<i>Painting and Sculpture Exhibitions:</i></div>
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2013: Erlin Gallery / Budapest / independent exhibition / Dunavski Dijalozi Art Festival / Novi Sad / Serbia / group exhibition</div>
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2012: PP Center, Partisan Studio / Budapest / group exhibition</div>
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2011: Fészek street 1. / Budapest / „Zsili Museum” independent exhibition</div>
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2010: Gödör Club / Budapest / „Szóbuborékolók” (World Bubbles) independent exhibition Ötkert / Budapest / Babos Zsili Bertalan retrospective show / Holdudvar Gallery / Budapest / “Moon passengers” group exhibition</div>
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2009: „Kultucca Festival” / Budapest / independent exhibition, Ferenczi Gallery / Budapest / „Plastic Fantastic” group exhibition, Holdudvar Gallery / Budapest / „Asian fractalgraphics independent exhibition</div>
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2008: <i>Swab</i> / Art Fair Barcelona / independent exhibition, Fiera d’arte Bolzano/ Art Fair Bolzano/ group exhibition, LilyK Gallery / Paris / group exhibition Art Factory Gallery / Budapest / „From street to the studio, Keith Harings legacy” exhibition Stereo Gallery / Budapest / independent exhibition</div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2575993698053986663.post-66010981457443725142013-09-23T00:00:00.000+02:002013-09-23T00:00:05.903+02:00FPDV / ARTIST PRESENTATION / Rose Wylie : culture visuelle, démesure comique… / by Nicolas Savignat<div dir="ltr" style="text-align: left;" trbidi="on">
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<i>vue générale de l’exposition à la Tate Britain de Londres</i></div>
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J’ai eu l’occasion de découvrir le travail de l’artiste anglo-saxonne : Rose Wylie (1934-) à la Tate Britain de Londres. Des peintures à l’huile de grande surface nous entourent, semblables à des panneaux frontaux. Les sujets d’inspiration figurative sont nombreux, foisonnants ; les images à la composition simple, forte, aux motifs efficaces, à la présence concise et à la matérialité ample attirent immédiatement l’œil. </div>
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<i>Choco Leibnitz, huile sur toile, 2006</i></div>
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<i>Palm Tree and Camel (Queen of Sheba), huile sur toile, 2012</i></div>
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Nous devinons grâce à la facture assez grossière des scènes domestiques, des objets représentés, une exécution spontanée, cathartique, librement ordonnée : corps raccourcis juxtaposés à des motifs géants, zones bariolées, cloisonnées par des cernes noirs, écritures envahissant l’espace de la toile, fonds réservés sans profondeur. Une composition qui tire son énergie de sa structure bancale, son rythme fragmenté, son collage scrupuleux, ses ruptures de ton, sa radicalité franche, ludique, instantanée… Il s’agit de la discipline du « cut out » (définition anglaise de découper, supprimer…).</div>
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<i>Pin Up and Porn Queen Jigsaw, huile sur toile, 2005</i></div>
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Ses sources d’inspiration sont nombreuses et issues de la culture de l’image contemporaine : la période métaphysique de Giorgio De Chirico (1888-1978), les miniatures persanes, les prédelles de la Renaissance, les héroïnes de Wong Kar-wai (1956-), l’univers de la bande dessinée, les célébrités en vogue… Les sujets dont elle s’empare sont stylisés, transformés dans un esprit joyeux, une réalité variablement innocente, parfois même avec une cruauté toute latente… Tous ses décalages d’associations, cette note enfantine continue, ce ton loufoque découlant de la personnalité « excentrique » de Rose Wylie sont comme des prétextes à une recherche graphique soutenue et à une richesse formelle de la pluralité au nom d’une liberté de création.</div>
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<i>Inglourious Basterds (film notes), huile sur toile, 2010</i></div>
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<i>Arab and Dancing Girl, huile sur toile, 2006</i></div>
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L’artiste nous avoue, en filigrane sa défiance face à l’autorité du contrôle, à l’élaboration de la beauté comme une totalité pensante, aux conventions disciplinaires omniprésentes. Rose Wylie se situe plutôt dans une lecture du monde critique, distanciée, moqueuse… légèrement, paradoxalement en opposition. Il se dégage de ses œuvres un esprit indocile, frondeur ; séduisant dans sa défiguration nette, sa générosité boute-en-train, son excessivité ubuesque, son expressivité taquine, sa stupidité farceuse, sa démesure immanquablement comique. Oui, il flotte dans cette salle comme un parfum d’indépendance… l’expérience étirée, légitime, anguleuse de l’honnêteté intellectuelle.</div>
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<i>vue générale de l’exposition à la Tate Britain de Londres</i></div>
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<span style="color: black;">Plus d’infos > Blog interview : <a href="http://articulatedartists.blogspot.fr/2010/02/rose-wylie-at-her-studio-in-newnham.html"><span style="text-decoration: underline;">http://articulatedartists.blogspot.fr/2010/02/rose-wylie-at-her-studio-in-newnham.html</span></a></span></div>
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Exposition BP Spotlight : Rose Wylie, ouverte jusqu’au 29 septembre 2013 à la Tate Britain à Londres</div>
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